![]() ![]() This is, after all, where “Succession” started the season: with the three working together, first to found their own media venture and then to acquire a Waystar rival. “Succession” always implied this, working in allusions to Logan’s imposing uncle Noah and shots of scars on his back, and confirmed it with his brother’s eulogy in penultimate hour “Church and State.” Logan then passed on that lack of stability and support to his own children, who in turn were stuck in an emotional maze of their father’s making.Ī long stretch of “With Open Eyes” sees Kendall allied with his younger siblings Roman and Siobhan, inducing a dizzying state of déja vu. Logan Roy, the monstrous, Murdoch-esque founder of Waystar Royco, was the product of a tragic and harrowing childhood. The show could buck cliché when it wanted to, yet built itself around a pair of truisms: first, history repeats itself second, hurt people hurt people. They didn’t get screen time like Nan Pierce, but Lawrence Yee and even Ratfucker Sam got to take their bows.īut for “Succession” in particular, doubling down on its long-established DNA has its own, singular significance. (In the past, that gathering place could be a wedding or a funeral or a corporate retreat - but this time, it’s a board vote, just as it was in Season 1’s “Which Side Are You On?”.) And like the last hurrahs of many TV shows, it brought back small supporting players for a fond-ish farewell, a tradition “Succession” has honored all season. Like most episodes of “Succession,” it revolves around a seismic event that forces most of the cast into a single room. Like every season finale before it, “With Open Eyes” takes its name from John Berryman’s poem “Dream Song 29” and takes place, at least in part, in a foreign country.
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